Gran Torino

Gran Torino takes its title from a 1972 Ford  parked in a driveway — a memento in this curious, striking drama directed by and starring Clint Eastwood. He plays Walt Kowalski, a widowed, retired autoworker alienated from his grown sons and just about everybody else. Walt spends most of his time growling, tinkering, mowing his postage-stamp lawn, and raging against a world that's changed and won't change back no matter how hard he glares. Change has certainly come to his run-down Detroit neighborhood: Hmong immigrants with strange, foreign ways have moved in. Next door, there's a fatherless, multigenerational family that includes a quick-witted daughter (Ahney Her) and an uneasy younger teenage son (Bee Vang) who struggles to steer clear of the local Hmong gangbangers pressuring him to join them. Walt thinks people stink. He's obnoxiously rude to a baby-faced Catholic priest  who, fulfilling the dying request of Walt's late wife, urges the SOB to go to confession. And the character regularly lets loose with such a vile spew of racist epithets that it's clear Eastwood is looking to inflame the PC ears of a contemporary audience. Then, when someone attempts to steal Walt's prized car, the coiled Korean War vet reaches for his weapon. (A different Eastwood in a different movie might have rasped ''Do you feel lucky?'') But in the aftermath of his rage — as if breaking and entering were the only way to open the old man's emotional door — this twisted, post-9/11 version of Dirty Harry warily develops a relationship with the strangers next door. The connection leads to — well, to a shocking spiritual salvation, in fact. And to gang warfare. And to a movie at once understated and radical, deceptively unremarkable in presentation and ballsy in its earnestness. Don't let the star's overly familiar squint fool you: This is subtle, perceptive stuff. Clint Eastwood has touted Gran Tarino as his last acting perfomance, and if that is true than this is an absolutely perfect send off to one of Hollywood's finest talents. I'm sure Eastwood will get behind the camera again, but his screen presence will be missed. Farewell Mr. Eastwood, and keep making great films in the directors chair.

5 out of 5

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one luv, Toinne